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Teresa Margolles. The StoneEs Baluard
Image: Women handcart porter on the Simón Bolívar International Bridge, Colombia-Venezuela, 2018 ©Gabinete TM
Teresa Margolles (Culiacán, Sinaloa, 1963) spent a long period in Cúcuta, a city on the border between Venezuela and Colombia. It is a territory that has turned into a symbol of contemporary evil; a suffocating place, in which to speak of human rights is to appeal to fiction. Margolles sheds light on many of the issues that plague contemporary international politics: class struggle, migration, gender, contraband… In short, a reality stained with blood.
What does it mean to go from carretillera, a handcart porter, to trochera? Quite likely, many of us are unfamiliar with the meaning of the second word; yet it is not a question of rhetoric, it denotes resignation. The question strikes us when we approach the exhibition “The Stone”; it looms large when one lives in a context that is as “hot” as many of the border zones are today.
“The Stone” recovers some of the central ideas that run through all of the artist’s work. Teresa Margolles denounces the current migratory crises in an outspoken manner; she opens the debate around the work; above all, she bears witness to the vulnerability of women in any situation. Likewise, the exhibition presents some unpublished works and invites, in this order, to: listen, accept the challenge of the gaze and think distances.
Download here the exhibition's booklet with texts by Imma Prieto, Director of Es Baluard; Eugenio Viola, Chief Curator of MAMBO, Museum of Modern Art of Bogotá; and the testimomies of women recounting their experience at the Simón Bolovar International Bridge in the border between Colombia and Venezuela.WEBwww.esbaluard.org